tag:blogger.com,1999:blog-87410319761736827712024-03-06T02:32:33.248+00:00Underwurld MusicA music blog with reviews, views and features.Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.comBlogger710125tag:blogger.com,1999:blog-8741031976173682771.post-13294503488849251432022-10-12T21:42:00.002+01:002022-10-12T21:44:22.487+01:00New Bandcamp music!<p> I have started publishing new original (self-composed) music on bandcamp!</p><p><a href="https://underwurldmusic.bandcamp.com/">https://underwurldmusic.bandcamp.com/</a></p>Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-14646608793969526902021-05-27T21:22:00.002+01:002022-10-12T21:45:18.476+01:00<p>Now making original music on YouTube. </p><p><a href="https://www.youtube.com/channel/UCTMQExlfxnLOnLpV9Ayk7OA">https://www.youtube.com/channel/UCTMQExlfxnLOnLpV9Ayk7OA</a></p>Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-2395227346854359372015-11-03T18:21:00.000+00:002015-11-03T18:21:17.983+00:00Music Chart - October 2015<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHdCmyJRDZqoCoL5xMDvzyJUadBzYy0looTJgHJO27JOJDrDbUrimaVk0hGSt996pA_779dIxmpZwgxVuIyWp2yk923ePUxJaKJutDMnmB2SAxfVR48yaXP6GbsH0bIYtm4pST3z6lE9SG/s1600/ryanadams1989.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHdCmyJRDZqoCoL5xMDvzyJUadBzYy0looTJgHJO27JOJDrDbUrimaVk0hGSt996pA_779dIxmpZwgxVuIyWp2yk923ePUxJaKJutDMnmB2SAxfVR48yaXP6GbsH0bIYtm4pST3z6lE9SG/s320/ryanadams1989.jpg" width="320" /></a></div>
<ol>
<li>1989 by Ryan Adams </li>
<li>Dust and Disquiet by Caspian </li>
<li>Sermon On The Rocks by Josh Ritter</li>
<li>Kintsugi by Death Cab For Cutie</li>
<li>My Love Is Cool by Wolf Alice </li>
<li>Short Movie by Laura Marling </li>
<li>Mr. Wolf Is Dead by Color Therapy </li>
<li>How Big, How Blue, How Beautiful by Florence + The Machine </li>
<li>Blackbirds by Gretchen Peters </li>
<li>b'lieve i'm goin down by Kurt Vile </li>
<li>The Race For Space by Public Service Broadcasting </li>
<li>I Wasn't Born To Lose You by Swervedriver</li>
<li>The Scene Between by The Go! Team </li>
<li>Electronica 1: The Time Machine by Jean Michel Jarre (et al) </li>
<li>Chronicle by Lights & Motion </li>
<li>Every Open Eye by CHVRCHES</li>
<li>Kicking Every Day by All Dogs </li>
<li>Courting The Squall by Guy Garvey </li>
<li>The Colours Of Life by CFCF </li>
<li>Hollow Meadows by Richard Hawley </li>
<li>Beneath The Skin by Of Monsters And Men </li>
<li>Policy by Will Butler</li>
<li>Psychic Reader by Bad Bad Hats </li>
<li>The Light In You by Mercury Rev </li>
<li>Working Girl by Little Boots </li>
<li>Modern Nature by The Charlatans </li>
<li>Sometimes I Sit And Think, And Sometimes I Just Sit by Courtney Barnett </li>
<li>What A Terrible World, What A Beautiful World by The Decemberists </li>
<li>Grey Tickles, Black Pressure by John Grant </li>
<li>Pageant Material by Kacey Musgraves </li>
<li>Into The Air by Cold Beat</li>
<li>A Forest Of Arms by Great Lake Swimmers </li>
<li>Everything Ever Written by Idlewild </li>
<li>Rattle That Lock by David Gilmour </li>
<li>Bonxie by Stornoway </li>
<li>Kept by Stolen Jars </li>
<li>Culture Of Volume by East India Youth</li>
<li>In Dream by Editors </li>
<li>Hypoxia by Kathryn Williams </li>
<li>Yume by Helios </li>
<li>Mount The Air by Unthanks</li>
<li>8:58 by 8:58 </li>
<li>Radiance & Submission by CFCF </li>
<li>California Nights by Best Coast </li>
<li>Girls In Peacetime Want To Dance by Belle & Sebastian </li>
<li>Drones by Muse </li>
<li>Nothing But Thieves by Nothing But Thieves </li>
<li>Separation Season by The Travis Waltons </li>
<li>Computer Controlled Acoustic Instruments pt2 EP by Aphex Twin</li>
<li>Carrie & Lowell by Sufjan Stevens</li>
<li>Before We Forgot How To Dream by SOAK</li>
<li>Depression Cherry by Beach House </li>
<li>Traveller by Chris Stapleton </li>
<li>Silence In The Snow by Trivium </li>
<li>Brothers Of The Sonic Cloth by Brothers Of The Sonic Cloth </li>
<li>Picture You by The Amazing </li>
<li>Pale Honey by Pale Honey </li>
<li>Everything Else Matters by Pinkshinyultrablast</li>
<li>Everyone Was A Bird by Grasscut </li>
<li>Man Plans God Laughs by Public Enemy </li>
<li>Scatter by Crushed Beaks </li>
<li>Asunder, Sweet And Other Distress by Godspeed You! Black Emperor </li>
<li>Born In The Echoes by The Chemical Brothers </li>
<li>Heavy Love by Duke Garwood </li>
<li>The Desired Effect by Brandon Flowers </li>
<li>The Gold Standard by Marrow </li>
<li>A Flourish And A Spoil by The Districts</li>
<li>Then Came The Morning by The Lone Below </li>
<li>Menace Beach by Ratworld</li>
<li>Sauna by Mount Eerie</li>
<li>The Pale Emperor by Marilyn Manson</li>
<li>10 Futures by Aqualung</li>
<li>We Slept At Last by Marika Hackman</li>
<li>MG by MG </li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-36322593987422281392015-09-30T20:33:00.000+01:002015-10-14T18:55:52.148+01:00Music Chart - September 2015A very busy month of new music at Underwurld Towers (oxymoron? Catacombs?)... Delving into one of our favourite genres: instrumental post-rock, discovered bands such as Color Therapy, Helios, and Lights & Motion make it into the chart, plus a wealth of new garage bands (Cold Beat, All Dogs, Pale Honey and Bad Bad Hats) and more established names - so a real mixed bag of a September and a new brilliant number one from Ryan Adams! (with more than just a little help from Taylor Swift).<br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6ou2XahOG6YNgQj-uyjnahokr8qPy_TjQQGNxa8ZWf7hxbSLXBGw_nDB8sQ1aw_0jFVtKS_hG0CEl4qR0wVsTkmXr7Nu_JqDVf7Adqxl067ndeeU1iz4Nwfs9zVMDPpSyrwfP6Bj68SIG/s1600/ryanadams1989.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6ou2XahOG6YNgQj-uyjnahokr8qPy_TjQQGNxa8ZWf7hxbSLXBGw_nDB8sQ1aw_0jFVtKS_hG0CEl4qR0wVsTkmXr7Nu_JqDVf7Adqxl067ndeeU1iz4Nwfs9zVMDPpSyrwfP6Bj68SIG/s320/ryanadams1989.jpg" width="320" /></a></div>
<ol>
<li>1989 by Ryan Adams </li>
<li>Kintsugi by Death Cab For Cutie</li>
<li>My Love Is Cool by Wolf Alice </li>
<li>Mr. Wolf Is Dead by Color Therapy </li>
<li>How Big, How Blue, How Beautiful by Florence + The Machine </li>
<li>Blackbirds by Gretchen Peters </li>
<li>b'lieve i'm goin down by Kurt Vile </li>
<li>The Race For Space by Public Service Broadcasting </li>
<li>I Wasn't Born To Lose You by Swervedriver</li>
<li>Short Movie by Laura Marling</li>
<li>The Scene Between by The Go! Team </li>
<li>Chronicle by Lights & Motion </li>
<li>Every Open Eye by CHVRCHES</li>
<li>Kicking Every Day by All Dogs </li>
<li>The Colours Of Life by CFCF </li>
<li>Hollow Meadows by Richard Hawley </li>
<li>Beneath The Skin by Of Monsters And Men </li>
<li>Policy by Will Butler</li>
<li>Psychic Reader by Bad Bad Hats </li>
<li>Working Girl by Little Boots </li>
<li>Modern Nature by The Charlatans </li>
<li>Sometimes I Sit And Think, And Sometimes I Just Sit by Courtney Barnett </li>
<li>What A Terrible World, What A Beautiful World by The Decemberists </li>
<li>Pageant Material by Kacey Musgraves </li>
<li>Into The Air by Cold Beat</li>
<li>A Forest Of Arms by Great Lake Swimmers </li>
<li>Everything Ever Written by Idlewild </li>
<li>Rattle That Lock by David Gilmour </li>
<li>Bonxie by Stornoway </li>
<li>Kept by Stolen Jars </li>
<li>Culture Of Volume by East India Youth</li>
<li>Hypoxia by Kathryn Williams </li>
<li>Yume by Helios </li>
<li>Mount The Air by Unthanks</li>
<li>8:58 by 8:58 </li>
<li>Radiance & Submission by CFCF </li>
<li>California Nights by Best Coast </li>
<li>Girls In Peacetime Want To Dance by Belle & Sebastian </li>
<li>Drones by Muse </li>
<li>Separation Season by The Travis Waltons </li>
<li>Computer Controlled Acoustic Instruments pt2 EP by Aphex Twin</li>
<li>Carrie & Lowell by Sufjan Stevens</li>
<li>Before We Forgot How To Dream by SOAK</li>
<li>Depression Cherry by Beach House </li>
<li>Traveller by Chris Stapleton </li>
<li>Brothers Of The Sonic Cloth by Brothers Of The Sonic Cloth </li>
<li>Picture You by The Amazing </li>
<li>Pale Honey by Pale Honey </li>
<li>Everything Else Matters by Pinkshinyultrablast</li>
<li>Everyone Was A Bird by Grasscut </li>
<li>Man Plans God Laughs by Public Enemy </li>
<li>Scatter by Crushed Beaks </li>
<li>Asunder, Sweet And Other Distress by Godspeed You! Black Emperor </li>
<li>Born In The Echoes by The Chemical Brothers </li>
<li>Heavy Love by Duke Garwood </li>
<li>The Desired Effect by Brandon Flowers </li>
<li>The Gold Standard by Marrow </li>
<li>A Flourish And A Spoil by The Districts</li>
<li>Then Came The Morning by The Lone Below </li>
<li>Menace Beach by Ratworld</li>
<li>Sauna by Mount Eerie</li>
<li>The Pale Emperor by Marilyn Manson</li>
<li>10 Futures by Aqualung</li>
<li>We Slept At Last by Marika Hackman</li>
<li>MG by MG </li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-2127752725725625152015-08-22T14:07:00.001+01:002015-08-22T14:07:20.799+01:00Music Chart - August 2015Time for another chart update. New albums from Wolf Alice - so good it goes straight into the top five!, The Chemical Brothers - possibly their most uninspiring, lacklustre and soulless album to date, new country music star Kacey Musgraves - a charming journey through trailer park America, Little Boots - Ms. Hesketh continues to tug on Kylie's coattails with luscious electro-pop, Muse - who engage, baffle and amaze in equal measures, Public Enemy - the veteran rap legends plug away wit their (now) inconsistent art, and two albums from CFCF with gorgeous instrumentation and melodies.<br />
<br />
Death Cab For Cutie hold the number one spot in the 'not-quite-top-50'.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4SNCpqns-hGKUzkNrcq5y8y9EXzBEyDGmexVxMC2HIawnAsp6Wx8ADBujoc808LyWbmS9z5M-gxo11qVbLeQyf3-4rSUkNEzTzn6bgtxElBJDQk3hDtEc4Rsz58vkmOksdXfEJakpKcWO/s1600/death-cab-for-cutie-kintsugi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4SNCpqns-hGKUzkNrcq5y8y9EXzBEyDGmexVxMC2HIawnAsp6Wx8ADBujoc808LyWbmS9z5M-gxo11qVbLeQyf3-4rSUkNEzTzn6bgtxElBJDQk3hDtEc4Rsz58vkmOksdXfEJakpKcWO/s320/death-cab-for-cutie-kintsugi.jpg" width="320" /></a></div>
<ol>
<li>Kintsugi by Death Cab For Cutie</li>
<li>My Love Is Cool by Wolf Alice </li>
<li>How Big, How Blue, How Beautiful by Florence + The Machine </li>
<li>Blackbirds by Gretchen Peters </li>
<li>The Race For Space by Public Service Broadcasting </li>
<li>I Wasn't Born To Lose You by Swervedriver</li>
<li>Short Movie by Laura Marling</li>
<li>The Scene Between by The Go! Team </li>
<li>Radiance & Submission by CFCF </li>
<li>Beneath The Skin by Of Monsters And Men </li>
<li>Policy by Will Butler</li>
<li>Working Girl by Little Boots </li>
<li>Modern Nature by The Charlatans </li>
<li>Sometimes I Sit And Think, And Sometimes I Just Sit by Courtney Barnett </li>
<li>What A Terrible World, What A Beautiful World by The Decemberists </li>
<li>Pageant Material by Kacey Musgraves </li>
<li>A Forest Of Arms by Great Lake Swimmers </li>
<li>Everything Ever Written by Idlewild </li>
<li>Bonxie by Stornoway </li>
<li>Culture Of Volume by East India Youth</li>
<li>Hypoxia by Kathryn Williams </li>
<li>Mount The Air by Unthanks</li>
<li>8:58 by 8:58 </li>
<li>The Colours Of Life by CFCF </li>
<li>California Nights by Best Coast </li>
<li>Girls In Peacetime Want To Dance by Belle & Sebastian </li>
<li>Drones by Muse </li>
<li>Computer Controlled Acoustic Instruments pt2 EP by Aphex Twin</li>
<li>Carrie & Lowell by Sufjan Stevens</li>
<li>Before We Forgot How To Dream by SOAK</li>
<li>Traveller by Chris Stapleton </li>
<li>Brothers Of The Sonic Cloth by Brothers Of The Sonic Cloth </li>
<li>Picture You by The Amazing </li>
<li>Everything Else Matters by Pinkshinyultrablast</li>
<li>Everyone Was A Bird by Grasscut </li>
<li>Man Plans God Laughs by Public Enemy </li>
<li>Scatter by Crushed Beaks </li>
<li>Asunder, Sweet And Other Distress by Godspeed You! Black Emperor </li>
<li>Born In The Echoes by The Chemical Brothers </li>
<li>Heavy Love by Duke Garwood </li>
<li>The Desired Effect by Brandon Flowers </li>
<li>A Flourish And A Spoil by The Districts</li>
<li>Then Came The Morning by The Lone Below </li>
<li>Menace Beach by Ratworld</li>
<li>Sauna by Mount Eerie</li>
<li>The Pale Emperor by Marilyn Manson</li>
<li>10 Futures by Aqualung</li>
<li>We Slept At Last by Marika Hackman</li>
<li>MG by MG </li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-81602788256049279892015-06-20T19:05:00.002+01:002015-06-20T19:05:45.772+01:00Music Chart - June 2015A new chart for June and great new albums from Florence + The Machine and Of Monsters And Men. Something different from Mumford & Sons doesn't quite deliver while Great Lake Swimmers, Stornoway and Best Coast return with solid new work. The new solo album from The Killers' front-man Brandon Flowers fails to hit the mark while Hypoxia by Kathryn Williams is a slow burner. Impressive début from SOAK completes the monthly update...<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIlLoULaCVYKvnipvp1PNl4Lgjo1knJkDJ-iylnmPJIVphdH4dhmhk0DWqr_MXbSqM-RIbY_Cyh1Gi7c4cSXIoe1T8_9D9DKLgP9MQmmKDbApuC3-OldRugoCsuXCrA9dqhanrudcFzxSg/s1600/death-cab-for-cutie-kintsugi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIlLoULaCVYKvnipvp1PNl4Lgjo1knJkDJ-iylnmPJIVphdH4dhmhk0DWqr_MXbSqM-RIbY_Cyh1Gi7c4cSXIoe1T8_9D9DKLgP9MQmmKDbApuC3-OldRugoCsuXCrA9dqhanrudcFzxSg/s320/death-cab-for-cutie-kintsugi.jpg" width="320" /></a></div>
<ol>
<li>Kintsugi by Death Cab For Cutie </li>
<li>How Big, How Blue, How Beautiful by Florence + The Machine </li>
<li>Blackbirds by Gretchen Peters </li>
<li>The Race For Space by Public Service Broadcasting </li>
<li>I Wasn't Born To Lose You by Swervedriver</li>
<li>Short Movie by Laura Marling</li>
<li>The Scene Between by The Go! Team </li>
<li>Beneath The Skin by Of Monsters And Men </li>
<li>Policy by Will Butler</li>
<li>Modern Nature by The Charlatans </li>
<li>Sometimes I Sit And Think, And Sometimes I Just Sit by Courtney Barnett </li>
<li>What A Terrible World, What A Beautiful World by The Decemberists </li>
<li>A Forest Of Arms by Great Lake Swimmers </li>
<li>Everything Ever Written by Idlewild </li>
<li>Bonxie by Stornoway </li>
<li>Culture Of Volume by East India Youth</li>
<li>Hypoxia by Kathryn Williams </li>
<li>Mount The Air by Unthanks</li>
<li>8:58 by 8:58 </li>
<li>California Nights by Best Coast </li>
<li>Girls In Peacetime Want To Dance by Belle & Sebastian </li>
<li>Computer Controlled Acoustic Instruments pt2 EP by Aphex Twin</li>
<li>Carrie & Lowell by Sufjan Stevens</li>
<li>Before We Forgot How To Dream by SOAK </li>
<li>Picture You by The Amazing </li>
<li>Everything Else Matters by Pinkshinyultrablast</li>
<li>Everyone Was A Bird by Grasscut </li>
<li>Scatter by Crushed Beaks </li>
<li>Asunder, Sweet And Other Distress by Godspeed You! Black Emperor </li>
<li>Heavy Love by Duke Garwood </li>
<li>The Desired Effect by Brandon Flowers </li>
<li>A Flourish And A Spoil by The Districts</li>
<li>Then Came The Morning by The Lone Below </li>
<li>Menace Beach by Ratworld</li>
<li>Sauna by Mount Eerie</li>
<li>The Pale Emperor by Marilyn Manson</li>
<li>10 Futures by Aqualung</li>
<li>We Slept At Last by Marika Hackman</li>
<li>MG by MG </li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-26506343039964577482015-04-25T14:23:00.002+01:002015-04-25T14:24:01.893+01:00Music Chart - April 2015Great new albums this month from Death Cab For Cutie (the last with Chris Walla), The Go! Team (take away the irritating fillers and there are nine cracking pop tunes) , and Paul Hartnoll's new post-Orbital project 8:58. Also more brain-scrambling musing from the wonderful Courtney Barnett and the heartbreaking Sufjan Stevens. Elsewhere Godspeed You! Black Emperor continue to baffle and beguile while East India Youth delivers his best work yet.<br />
<br />
Death Cab For Cutie take the top spot (for now). Kintsugi is not perfect but plays to the band's strengths throughout, a blend of styles and textures - clichés aplenty with the unique DCFC slant.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXERXC5_kQ6-NppNuHWhf_QoHd8McBYLe2uzhEjkUdLl8BAnpsN8mtQYswZdfvCPyTN3zLCfxJg1ThDPv8BXP5kLN0b45GBxYTb_lyg5qF_IaMl4lLm29jLF9qLZn0PA7NXUI_M0bjwcPY/s1600/death-cab-for-cutie-kintsugi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXERXC5_kQ6-NppNuHWhf_QoHd8McBYLe2uzhEjkUdLl8BAnpsN8mtQYswZdfvCPyTN3zLCfxJg1ThDPv8BXP5kLN0b45GBxYTb_lyg5qF_IaMl4lLm29jLF9qLZn0PA7NXUI_M0bjwcPY/s1600/death-cab-for-cutie-kintsugi.jpg" height="320" width="320" /></a></div>
<ol>
<li>Kintsugi by Death Cab For Cutie </li>
<li>Blackbirds by Gretchen Peters </li>
<li>The Race For Space by Public Service Broadcasting </li>
<li>I Wasn't Born To Lose You by Swervedriver</li>
<li>Short Movie by Laura Marling</li>
<li>The Scene Between by The Go! Team </li>
<li>Policy by Will Butler</li>
<li>Modern Nature by The Charlatans </li>
<li>Sometimes I Sit And Think, And Sometimes I Just Sit by Courtney Barnett </li>
<li>What A Terrible World, What A Beautiful World by The Decemberists </li>
<li>Everything Ever Written by Idlewild </li>
<li>Culture Of Volume by East India Youth </li>
<li>Mount The Air by Unthanks</li>
<li>8:58 by 8:58 </li>
<li>Girls In Peacetime Want To Dance by Belle & Sebastian </li>
<li>Computer Controlled Acoustic Instruments pt2 EP by Aphex Twin</li>
<li>Carrie & Lowell by Sufjan Stevens</li>
<li>Picture You by The Amazing </li>
<li>Everything Else Matters by Pinkshinyultrablast</li>
<li>Scatter by Crushed Beaks </li>
<li>Asunder, Sweet And Other Distress by Godspeed You! Black Emperor </li>
<li>Heavy Love by Duke Garwood </li>
<li>A Flourish And A Spoil by The Districts</li>
<li>Then Came The Morning by The Lone Below </li>
<li>Menace Beach by Ratworld</li>
<li>Sauna by Mount Eerie</li>
<li>The Pale Emperor by Marilyn Manson</li>
<li>10 Futures by Aqualung</li>
<li>We Slept At Last by Marika Hackman</li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-23532466809841332282015-03-28T08:58:00.000+00:002015-03-28T08:58:03.321+00:00Music Chart - March 2015After a brief hiatus, it's time for a new 2015 music chart. A slow-burning first quarter has created a varied and interesting top 10 with veteran Gretchen Peters producing one of the finest album's of her illustrious career. Public Service Broadcasting return with The Race For Space and another wonderful collection of atmospheric and inspiring samples and electronica. A blast from the past with Swervedriver bringing back the magic on the guitar-fuelled I Wasn't Born To Lose You, another delicious slice of character songwriting from the wonderful Laura Marling, and an impressive - if left-field - release, Policy, from Arcade Fire's Will Butler form the current top 5.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5YfYcu9OM4Csq7RKcjyY6EZ-bbHDwJAM0DzFRWnn_UM4B3r6Wx-VV7qgYUH81jcmAOXCd2rvzMu0oiN4ha8jAp5evq8Qe20ZwihUOC9AUbxx04UYwUvLTICYSELlChxALgcHsufNPyV9Q/s1600/gretchenpeters_blackbirds.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5YfYcu9OM4Csq7RKcjyY6EZ-bbHDwJAM0DzFRWnn_UM4B3r6Wx-VV7qgYUH81jcmAOXCd2rvzMu0oiN4ha8jAp5evq8Qe20ZwihUOC9AUbxx04UYwUvLTICYSELlChxALgcHsufNPyV9Q/s1600/gretchenpeters_blackbirds.jpg" height="225" width="400" /></a></div>
<ol>
<li>Blackbirds by Gretchen Peters</li>
<li>The Race For Space by Public Service Broadcasting </li>
<li>I Wasn't Born To Lose You by Swervedriver</li>
<li>Short Movie by Laura Marling</li>
<li>Policy by Will Butler</li>
<li>Modern Nature by The Charlatans </li>
<li>What A Terrible World, What A Beautiful World by The Decemberists </li>
<li>Everything Ever Written by Idlewild </li>
<li>Mount The Air by Unthanks</li>
<li>Girls In Peacetime Want To Dance by Belle & Sebastian </li>
<li>Computer Controlled Acoustic Instruments pt2 EP by Aphex Twin</li>
<li>Picture You by The Amazing </li>
<li>Everything Else Matters by Pinkshinyultrablast</li>
<li>Scatter by Crushed Beaks </li>
<li>Heavy Love by Duke Garwood </li>
<li>A Flourish And A Spoil by The Districts</li>
<li>Then Came The Morning by The Lone Below </li>
<li>Menace Beach by Ratworld</li>
<li>Sauna by Mount Eerie</li>
<li>The Pale Emperor by Marilyn Manson</li>
<li>10 Futures by Aqualung</li>
<li>We Slept At Last by Marika Hackman</li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-76193355878719323062014-12-31T12:05:00.000+00:002015-01-11T12:29:02.329+00:00Music Chart - 2014 ReviewSo after a brief hiatus, here is the final chart of 2014... Some new entries of note are:<br /><br />
It's Nearly Tomorrow by Craig Armstrong - more beautiful and elegant instrumentals from a true genius, mixed with tracks featuring some distracting - if equally elegant - guest vocalists.<br />
Fall Together Again by Andy Burrows - continuing to prove there is life after Razorlight, Burrows delivers wonderful songwriting yet again. <br />
I Forget Where We Were by Ben Howard - a darker, more introspective collection of personal songs and intensity then Howard's début.<br />
Super Critical by The Ting Tings - the band that completely refuse to conform take on the likes of Chic and guitar-funk disco with another party album.<br />
In The Seams by Saint Saviour - the best songs Saint Saviour has put her name to; heartfelt, beautiful and vocals to die for.<br />
Storytone by Neil Young - if you remove the 'big band' versions, this is a stripped-down open-hearted album of quite wonderful songs - that said, the filled-out numbers occasionally hit the mark. <br />
The Endless River by Pink Floyd - the band's swansong featuring outtakes and material from the late Richard Wright; a fitting end to a huge legacy.<br />
Sonic Highways by Foo Fighters - the best album from Dave Grohl and the boys for many years - this is a full-on and committed guitar-fest.<br />
Monuments To An Elegy by The Smashing Pumpkins - a brave attempt to do something different which often works thanks to Billy Corgan's sharp lyrics and listless delivery; not the band they once were but now a different animal.<br />
<br />
The final top ten features amazing bands and great singer-songwriters. The War On Drugs were never to be beaten.<br />
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<br />
<ol>
<li>Lost In The Dream by The War On Drugs </li>
<li>Augustines by Augustines </li>
<li>Syro by Aphex Twin </li>
<li>Rave Tapes by Mogwai</li>
<li>Morning Phase by Beck </li>
<li>Gach Sgeul (Every Story) by Julie Fowlis</li>
<li>Somewhere Under Wonderland by Counting Crows </li>
<li>Forgetting The Present by Remember Remember </li>
<li>Built For Storms by Nigel Stonier</li>
<li>In The Seams by Saint Saviour </li>
<li>While 1 is less than 2 by Deadmau5 </li>
<li>The Fire Inside by Luke Sital-Singh</li>
<li>Sonic Highways by Foo Fighters </li>
<li>It's Nearly Tomorrow by Craig Armstrong </li>
<li>Royal Blood by Royal Blood</li>
<li>My Favourite Faded Fantasy by Damien Rice </li>
<li>Beauty & Ruin by Bob Mould </li>
<li>Super Critical by The Ting Tings</li>
<li>Smoke Fairies by Smoke Fairies </li>
<li>The Gloaming by The Gloaming </li>
<li>Tales From The Realm Of The Queen Of Pentacles by Suzanne Vega</li>
<li>Ryan Adams by Ryan Adams </li>
<li>You Chose These Woes by Model Village</li>
<li>Beautiful Desolation by Paul Thomas Saunders</li>
<li>Fall Together Again by Andy Burrows</li>
<li>Storytone by Neil Young </li>
<li>This Is All Yours by Alt-J </li>
<li>Alarms In The Heart by Dry The River </li>
<li>I Forget Where We Were by Ben Howard </li>
<li>Popular Problems by Leonard Cohen </li>
<li>Owl John by Owl John </li>
<li>Mandatory Fun by Weird Al Yankovic </li>
<li>48:13 by Kasabian </li>
<li>The Endless River by Pink Floyd </li>
<li>Indie Cindy by The Pixies </li>
<li>Ghost Stories by Coldplay </li>
<li>Running With Scissors by Janet Devlin </li>
<li>Bones + Longing by Gemma Hayes </li>
<li>The Voyager by Jenny Lewis </li>
<li>The Cautionary Tales Of Mark Oliver Everett by Eels</li>
<li>Pe'ahi by The Raveonettes </li>
<li>A New Nature by Esben And The Witch </li>
<li>Grinning Streak by Barenaked Ladies </li>
<li>Phantom Radio by Mark Lanegan Band </li>
<li>Upside Down Mountain by Conor Oberst </li>
<li>Teeth Dreams by The Hold Steady </li>
<li>Burn Your Fire For No Witness by Angel Olsen</li>
<li>The Take Off And Landing of Everything by Elbow</li>
<li>Lazaretto by Jack White </li>
<li>Get Hurt by The Gaslight Anthem </li>
<li>Word Of Mouth by Seth Lakeman </li>
<li>So Long, See You Tomorrow by Bombay Bicycle Club </li>
<li>Nobody Wants To Be Here & Nobody Wants To Leave by The Twilight Sad </li>
<li>1984 by Ryan Adams </li>
<li>Playland by Johnny Marr </li>
<li>Heartstrings by Howling Bells</li>
<li>We Come From The Same Place by Allo Darlin' </li>
<li>El Pintor by Interpol </li>
<li>Honeyblood by Honeyblood</li>
<li>Futurology by Manic Street Preachers </li>
<li>IX by Corrosion Of Conformity </li>
<li>Pale Communion by Opeth </li>
<li>Into The Lime by New Mendicants </li>
<li>The Day's War by Lonely The Brave </li>
<li>9 Dead Alive by Rodrigo y Gabriela </li>
<li>Monuments To An Elegy by The Smashing Pumpkins </li>
<li>A Letter Home By Neil Young</li>
<li>In The Silence by Asgeir</li>
<li>Held In Splendor by Quilt</li>
<li>Blood by Pulled Apart By Horses </li>
<li>Wilderness of Mirrors by Lawrence English </li>
<li>Ultraviolence by Lana Del Rey </li>
<li>Salad Days by Mac Demarco </li>
<li>Blood Red Shoes by Blood Red Shoes </li>
<li>Alvvays by Alvvays </li>
<li>Supernova by Ray LaMontagne </li>
<li>Echoes by Emily Smith </li>
<li>Everyday Robots by Damon Albarn </li>
<li>Atlas by Real Estate </li>
<li>Croz by David Crosby</li>
<li>Benji by Sun Kil Moon </li>
<li>St. Vincent by St. Vincent </li>
<li>Cursing The Sea by September Girls</li>
<li>Wildewoman by Lucius</li>
<li>Luminous by The Horrors </li>
<li>High Hopes by Bruce Springsteen</li>
<li>Songs About This And That by Karin Krog & John Surman </li>
<li>Waking Lines by Patterns</li>
<li>Unrepentant Geraldines by Tori Amos </li>
<li>Complete Surrender by Slow Club </li>
<li>The Future's Void by EMA </li>
<li>Here And Nowhere Else by Cloud Nothings </li>
<li>Wig Out At Jagbags by Stephen Malkmus & The Jicks</li>
<li>Total Strife Forever by East India Youth</li>
<li>Too Much Information by Maximo Park </li>
<li>Warpaint by Warpaint</li>
<li>Are We There by Sharon Van Etten </li>
<li>To Be Kind by Swans </li>
<li>Eagulls by Eagulls </li>
<li>Education, Education, Education & War by Kaiser Chiefs </li>
<li>The Crystal Method by The Crystal Method</li>
<li>Kid Face by Samantha Crain</li>
<li>None The Wiser by The Rifles </li>
<li>Oh My Sexy Lord by Marijuana Deathsquads</li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-84929723193118303152014-10-01T19:20:00.000+01:002014-10-01T19:21:01.055+01:00Music Chart - September 2014Another amazing month of new music. Not one...but two Ryan Adams albums!, each showcasing the man's unique talents. 1984 is down and dirty punk meets garage rock and the eponymous album is borderline ironic - he has spent years detaching himself from 'almost namesake' Bryan Adams yet the latter release brings together soft-rock influences and clichéd scansion. The contrast makes the former more interesting but musically inferior. Then comes a much welcomed new album from Counting Crows, returning from something of a slump: a nice, yet limp covers collection after a 'more of the same' mid-tempo drawl live album. But Somewhere Under Wonderland is magnificent - upbeat, energised and committed in equal measures, with Adam Duritz sounding better than ever.<br />
<br />
To compliment this trio, Leonard Cohen - now a feisty 80 years old - brings us one of his best albums, well, since the last one. Wonderful song writing and a stilted, yet charming, delivery makes Popular Problems an engaging and compelling listen. Then, another stalwart of the music industry: Aphex Twin returns with a list of incomprehensible and unpronounceable songs on the brilliant Syro - a masterclass of electronic genius. And lastly the sublime, weird and often wonderful Alt-J return with an album that is arguably better than their award winning début.<br />
<br />
A late entry to the 2014 chart is Coldplay's Ghost Stories... while clearly a shadow of their former selves, Chris Martin and the boys deliver a beautiful heartfelt and inoffensive collection of love songs - the band's best for a very long time. And in total contrast, Pulled Apart By Horses continue to thrash things up while Lonely The Brave have a long way to go before they can claim Biffy Clyro's crown. <br />
<br />
Nothing challenges the mighty War On Drugs who hold the top spot.<br />
<br />
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<ol>
<li>Lost In The Dream by The War On Drugs </li>
<li>Augustines by Augustines </li>
<li>Syro by Aphex Twin </li>
<li>Rave Tapes by Mogwai</li>
<li>Morning Phase by Beck </li>
<li>Gach Sgeul (Every Story) by Julie Fowlis</li>
<li>Somewhere Under Wonderland by Counting Crows </li>
<li>Forgetting The Present by Remember Remember </li>
<li>Built For Storms by Nigel Stonier</li>
<li>While 1 is less than 2 by Deadmau5 </li>
<li>The Fire Inside by Luke Sital-Singh </li>
<li>Royal Blood by Royal Blood</li>
<li>Beauty & Ruin by Bob Mould </li>
<li>Smoke Fairies by Smoke Fairies </li>
<li>The Gloaming by The Gloaming </li>
<li>Tales From The Realm Of The Queen Of Pentacles by Suzanne Vega</li>
<li>Ryan Adams by Ryan Adams </li>
<li>You Chose These Woes by Model Village</li>
<li>Beautiful Desolation by Paul Thomas Saunders</li>
<li>This Is All Yours by Alt-J </li>
<li>Alarms In The Heart by Dry The River </li>
<li>Popular Problems by Leonard Cohen </li>
<li>Owl John by Owl John </li>
<li>Mandatory Fun by Weird Al Yankovic </li>
<li>48:13 by Kasabian </li>
<li>Indie Cindy by The Pixies </li>
<li>Ghost Stories by Coldplay </li>
<li>Running With Scissors by Janet Devlin </li>
<li>The Voyager by Jenny Lewis </li>
<li>The Cautionary Tales Of Mark Oliver Everett by Eels</li>
<li>Pe'ahi by The Raveonettes </li>
<li>Grinning Streak by Barenaked Ladies </li>
<li>Upside Down Mountain by Conor Oberst </li>
<li>Teeth Dreams by The Hold Steady </li>
<li>Burn Your Fire For No Witness by Angel Olsen</li>
<li>The Take Off And Landing of Everything by Elbow</li>
<li>Lazaretto by Jack White </li>
<li>Get Hurt by The Gaslight Anthem </li>
<li>Word Of Mouth by Seth Lakeman </li>
<li>So Long, See You Tomorrow by Bombay Bicycle Club </li>
<li>1984 by Ryan Adams </li>
<li>Heartstrings by Howling Bells </li>
<li>Honeyblood by Honeyblood</li>
<li>Futurology by Manic Street Preachers </li>
<li>IX by Corrosion Of Conformity </li>
<li>Pale Communion by Opeth </li>
<li>Into The Lime by New Mendicants </li>
<li>The Day's War by Lonely The Brave </li>
<li>9 Dead Alive by Rodrigo y Gabriela </li>
<li>A Letter Home By Neil Young</li>
<li>In The Silence by Asgeir</li>
<li>Held In Splendor by Quilt</li>
<li>Blood by Pulled Apart By Horses </li>
<li>Wilderness of Mirrors by Lawrence English </li>
<li>Ultraviolence by Lana Del Rey </li>
<li>Salad Days by Mac Demarco </li>
<li>Blood Red Shoes by Blood Red Shoes </li>
<li>Alvvays by Alvvays </li>
<li>Supernova by Ray LaMontagne </li>
<li>Echoes by Emily Smith </li>
<li>Everyday Robots by Damon Albarn </li>
<li>Atlas by Real Estate </li>
<li>Croz by David Crosby</li>
<li>Benji by Sun Kil Moon </li>
<li>St. Vincent by St. Vincent </li>
<li>Cursing The Sea by September Girls</li>
<li>Wildewoman by Lucius</li>
<li>Luminous by The Horrors </li>
<li>High Hopes by Bruce Springsteen</li>
<li>Songs About This And That by Karin Krog & John Surman </li>
<li>Waking Lines by Patterns</li>
<li>Unrepentant Geraldines by Tori Amos </li>
<li>Complete Surrender by Slow Club </li>
<li>The Future's Void by EMA </li>
<li>Here And Nowhere Else by Cloud Nothings </li>
<li>Wig Out At Jagbags by Stephen Malkmus & The Jicks</li>
<li>Total Strife Forever by East India Youth</li>
<li>Too Much Information by Maximo Park </li>
<li>Warpaint by Warpaint</li>
<li>Are We There by Sharon Van Etten </li>
<li>To Be Kind by Swans </li>
<li>Eagulls by Eagulls </li>
<li>Education, Education, Education & War by Kaiser Chiefs </li>
<li>The Crystal Method by The Crystal Method</li>
<li>Kid Face by Samantha Crain</li>
<li>None The Wiser by The Rifles </li>
<li>Oh My Sexy Lord by Marijuana Deathsquads</li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-29482725166565611192014-08-31T19:14:00.000+01:002014-09-01T20:26:39.526+01:00Music Chart - August 2014One of the best months of the year for new albums and a 2014 return for some great bands. One of the biggest releases of the year is Alarms In The Heart by Dry The River - a solid, yet sadly inferior second-best to the brilliant Shallow Bed. I'll give it time but it lacks not only the songs but much of the wide-eyed wonder of its predecessor. The Gaslight Anthem get heavy with the New Jersey charm with Get Hurt...for me not quite as slick as Handwritten but plenty of commitment and passion, as always. One of the new shining lights this year finally follows up a bunch of EPs, and the intriguing Film Songs, with the excellent The Fire Inside - a marvellous début featuring one of the best songs of the year: Bottled Up Tight. And another new act promising so much - and delivering: Royal Blood release their eponymous début; kicking off with the astonishing Out Of The Black and blistering Figure It Out. Echoes of White and Homme everywhere but the startling combination of vocals, drums and bass guitar performed by a duo is truly exhilarating. Last but no least, Thea Gilmore's right-hand man Nigel Stonier, a brilliantly talented songwriter and performer who doesn't release enough albums of his own, has made Built For Storms - filled with stark observations, smart lyrics and beautiful poignant reflections.<br />
<br />
Elsewhere, Frightened Rabbit take time out for Owl John, The Raveonettes bring back the bleak, Slow Club attempt to engage, Howling Bells pull the Heartstrings and Honeyblood get feisty.<br />
<br />
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<br />
<ol>
<li>Lost In The Dream by The War On Drugs </li>
<li>Augustines by Augustines </li>
<li>Rave Tapes by Mogwai</li>
<li>Morning Phase by Beck </li>
<li>Gach Sgeul (Every Story) by Julie Fowlis</li>
<li>Forgetting The Present by Remember Remember </li>
<li>Built For Storms by Nigel Stonier</li>
<li>While 1 is less than 2 by Deadmau5 </li>
<li>The Fire Inside by Luke Sital-Singh </li>
<li>Royal Blood by Royal Blood</li>
<li>Beauty & Ruin by Bob Mould </li>
<li>Smoke Fairies by Smoke Fairies </li>
<li>The Gloaming by The Gloaming </li>
<li>Tales From The Realm Of The Queen Of Pentacles by Suzanne Vega</li>
<li>You Chose These Woes by Model Village</li>
<li>Beautiful Desolation by Paul Thomas Saunders</li>
<li>Alarms In The Heart by Dry The River </li>
<li>Owl John by Owl John </li>
<li>Mandatory Fun by Weird Al Yankovic </li>
<li>48:13 by Kasabian </li>
<li>Indie Cindy by The Pixies </li>
<li>Running With Scissors by Janet Devlin </li>
<li>The Voyager by Jenny Lewis </li>
<li>The Cautionary Tales Of Mark Oliver Everett by Eels</li>
<li>Pe'ahi by The Raveonettes </li>
<li>Grinning Streak by Barenaked Ladies </li>
<li>Upside Down Mountain by Conor Oberst </li>
<li>Teeth Dreams by The Hold Steady </li>
<li>Burn Your Fire For No Witness by Angel Olsen</li>
<li>The Take Off And Landing of Everything by Elbow</li>
<li>Lazaretto by Jack White </li>
<li>Get Hurt by The Gaslight Anthem </li>
<li>Word Of Mouth by Seth Lakeman </li>
<li>So Long, See You Tomorrow by Bombay Bicycle Club </li>
<li>Heartstrings by Howling Bells </li>
<li>Honeyblood by Honeyblood</li>
<li>Futurology by Manic Street Preachers </li>
<li>IX by Corrosion Of Conformity </li>
<li>Into The Lime by New Mendicants </li>
<li>9 Dead Alive by Rodrigo y Gabriela </li>
<li>A Letter Home By Neil Young</li>
<li>In The Silence by Asgeir</li>
<li>Held In Splendor by Quilt</li>
<li>Wilderness of Mirrors by Lawrence English </li>
<li>Ultraviolence by Lana Del Rey </li>
<li>Salad Days by Mac Demarco </li>
<li>Blood Red Shoes by Blood Red Shoes </li>
<li>Alvvays by Alvvays </li>
<li>Supernova by Ray LaMontagne </li>
<li>Echoes by Emily Smith </li>
<li>Everyday Robots by Damon Albarn </li>
<li>Atlas by Real Estate </li>
<li>Croz by David Crosby</li>
<li>Benji by Sun Kil Moon </li>
<li>St. Vincent by St. Vincent </li>
<li>Cursing The Sea by September Girls</li>
<li>Wildewoman by Lucius</li>
<li>Luminous by The Horrors </li>
<li>High Hopes by Bruce Springsteen</li>
<li>Songs About This And That by Karin Krog & John Surman </li>
<li>Waking Lines by Patterns</li>
<li>Unrepentant Geraldines by Tori Amos </li>
<li>Complete Surrender by Slow Club </li>
<li>The Future's Void by EMA </li>
<li>Here And Nowhere Else by Cloud Nothings </li>
<li>Wig Out At Jagbags by Stephen Malkmus & The Jicks</li>
<li>Total Strife Forever by East India Youth</li>
<li>Too Much Information by Maximo Park </li>
<li>Warpaint by Warpaint</li>
<li>Are We There by Sharon Van Etten </li>
<li>To Be Kind by Swans </li>
<li>Eagulls by Eagulls </li>
<li>Education, Education, Education & War by Kaiser Chiefs </li>
<li>The Crystal Method by The Crystal Method</li>
<li>Kid Face by Samantha Crain</li>
<li>None The Wiser by The Rifles </li>
<li>Oh My Sexy Lord by Marijuana Deathsquads</li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-72877375892022375082014-08-19T20:41:00.000+01:002014-08-19T20:41:07.781+01:00The Vinyl Frontier - Bob Dylan, Joni Mitchell<br />
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Two more gems recently entrusted to my care...<br />
<br />
In 1969 Bob Dylan defied convention and instead of making a political statement - at the time there was much to protest about - he made Nashville Skyline, a sublime and quirky country-rock album. Featuring Johnny Cash and a host of other great musicians there is much more to this than Lay Lady Lay, and Dylan's best album after Blood On The Tracks. This was the ultimate protest singer making the ultimate anti-protest album.<br />
<br />
History really does repeat itself. I have the same feeling listening to Song To A Seagull, Joni Mitchell's wonderful début album, as I do with Laura Marling's Alas I Cannot Swim... The same idealistic lyrical craft mixed with swirling acoustic guitars in a simple, unruffled and raw production. Not many singers get away with a concept album as their first effort but Mitchell made her mark on the music world from the very first note. Her voice is both powerful and un-threatening, every song tells a story, while the strings add the atmospherics.<br />
<div style="text-align: right;">
-- CS</div>
<br />Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-90042172823654896392014-08-16T09:37:00.000+01:002014-08-16T09:37:30.582+01:00The Vinyl Frontier - The Beatles I am not a huge Beatles fan. I have my own favourite songs and I only own Revolver and the two anthologies (on CD)…until now. Recently, I inherited (with great privilege) some ‘old’ records including all twelve original Beatles LPs (thirteen if you include Magical Mystery Tour) plus a few other compilations and rarities collections.<br />
<br />Here they are: <br />
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<br />
The Beatles’ albums cover a mere eight years, from the debut Please Please Me in 1963 to Let It Be in 1970. Often making two albums a year during this time, it is an incredible catalogue of music and culture. The development of the band’s music can be divided into four trilogies: Please Please Me, With The Beatles and A Hard Day’s Night is poster-boy jangly pop; Beatles For Sale, Help! and Rubber Soul is a band exploring and expanding; Revolver, Sergeant Pepper’s Lonely Hearts Club Band and The White Album is creativity, risks and reward; and Yellow Submarine, Abbey Road and Let It Be is the sound of self-indulgence, fractures and reflection – Abbey Road feels like the start of Harrison’s solo career with some of his best songs and Let It Be, mostly recorded before Abbey Road, doesn’t feel like a ‘break-up’ album although The Long And Winding Road always seems to be an obvious swansong. <br />
<br />For me, the height of The Beatles’ creativity and power was 1966. The reason I bought Revolver is that I still think it’s a masterpiece – although it does seem to divide fans somewhat – and listening to my new vinyl copy, even more so. The album has just about everything from the dark sad Eleanor Rigby to the playful nursery-rhyme Yellow Submarine, punchy Got To Get You Into My Life and the eclectic closer Tomorrow Never Knows. Vocals are shared and Harrison wrote three good songs. In comparison, the follow-up Sergeant Pepper’s Lonely Hearts Club Band is overrated (but still very good). Having listened to the most of the earlier albums in full, A Hard Day’s Night is a highlight, with its fuzzy production and Lennon and McCartney writing together wonderfully. <br />
<br />I do recognise why and how The Beatles are so popular and why the songs and albums are iconic works of art, not only as part of British music but around the world. The song-writing partnership of Lennon and McCartney is still legendary and combined with George Harrison and Ringo Starr, one of the best-known and loved pop bands lives on.<br />
<div style="text-align: right;">
-- CS</div>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-35997995781579152342014-07-31T19:44:00.002+01:002014-08-02T08:38:34.686+01:00Music Chart - July 2014A sparse month for good new music... but great new albums from Deadmau5, Remember Remember, Weird Al Yankovic and Jenny Lewis, plus a decent effort from Manic Street Preachers and Barenaked Ladies. <br />
<br />
And again, nothing new to challenge the best album of the year from The War On Drugs...<br />
<br />
<br />
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<ol>
<li>Lost In The Dream by The War On Drugs </li>
<li>Augustines by Augustines </li>
<li>Rave Tapes by Mogwai</li>
<li>Morning Phase by Beck </li>
<li>Gach Sgeul (Every Story) by Julie Fowlis</li>
<li>Forgetting The Present by Remember Remember </li>
<li>The Gloaming by The Gloaming</li>
<li>While 1 is less than 2 by Deadmau5 </li>
<li>Beauty & Ruin by Bob Mould </li>
<li>Smoke Fairies by Smoke Fairies </li>
<li>Tales From The Realm Of The Queen Of Pentacles by Suzanne Vega</li>
<li>You Chose These Woes by Model Village</li>
<li>Beautiful Desolation by Paul Thomas Saunders</li>
<li>Mandatory Fun by Weird Al Yankovic </li>
<li>48:13 by Kasabian </li>
<li>Indie Cindy by The Pixies </li>
<li>Running With Scissors by Janet Devlin </li>
<li>The Voyager by Jenny Lewis </li>
<li>The Cautionary Tales Of Mark Oliver Everett by Eels</li>
<li>Grinning Streak by Barenaked Ladies </li>
<li>Upside Down Mountain by Conor Oberst </li>
<li>Teeth Dreams by The Hold Steady </li>
<li>Burn Your Fire For No Witness by Angel Olsen</li>
<li>The Take Off And Landing of Everything by Elbow</li>
<li>Lazaretto by Jack White </li>
<li>Word Of Mouth by Seth Lakeman </li>
<li>So Long, See You Tomorrow by Bombay Bicycle Club </li>
<li>Futurology by Manic Street Preachers </li>
<li>IX by Corrosion Of Conformity </li>
<li>Into The Lime by New Mendicants </li>
<li>9 Dead Alive by Rodrigo y Gabriela </li>
<li>A Letter Home By Neil Young</li>
<li>In The Silence by Asgeir</li>
<li>Held In Splendor by Quilt </li>
<li>Ultraviolence by Lana Del Rey </li>
<li>Salad Days by Mac Demarco </li>
<li>Blood Red Shoes by Blood Red Shoes </li>
<li>Supernova by Ray LaMontagne </li>
<li>Echoes by Emily Smith </li>
<li>Everyday Robots by Damon Albarn </li>
<li>Atlas by Real Estate </li>
<li>Croz by David Crosby</li>
<li>Benji by Sun Kil Moon </li>
<li>St. Vincent by St. Vincent </li>
<li>Cursing The Sea by September Girls</li>
<li>Wildewoman by Lucius</li>
<li>Luminous by The Horrors </li>
<li>High Hopes by Bruce Springsteen</li>
<li>Songs About This And That by Karin Krog & John Surman </li>
<li>Waking Lines by Patterns</li>
<li>Unrepentant Geraldines by Tori Amos </li>
<li>The Future's Void by EMA </li>
<li>Here And Nowhere Else by Cloud Nothings </li>
<li>Wig Out At Jagbags by Stephen Malkmus & The Jicks</li>
<li>Total Strife Forever by East India Youth</li>
<li>Too Much Information by Maximo Park </li>
<li>Warpaint by Warpaint</li>
<li>Are We There by Sharon Van Etten </li>
<li>To Be Kind by Swans </li>
<li>Eagulls by Eagulls </li>
<li>Education, Education, Education & War by Kaiser Chiefs </li>
<li>The Crystal Method by The Crystal Method</li>
<li>Kid Face by Samantha Crain</li>
<li>None The Wiser by The Rifles </li>
<li>Oh My Sexy Lord by Marijuana Deathsquads</li>
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<!--2-->Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-82111440157133818182014-07-04T19:00:00.000+01:002014-07-19T11:09:16.386+01:00Suzanne Vega - Live at The Lighthouse, Poole (3rd July 2014)A warm Summer evening on the south coast of England, and the promise of great music from a true legend, drew us to Poole and the majestic Lighthouse. A venue that has been transformed in recent times from the old Arts Centre to a now modern, bright and vibrant concert hall was to be graced by the presence of Suzanne Vega. And having only seen her live once before (briefly at a dark and wet Glastonbury, from the back of a packed noisy acoustic tent many years ago), I was more than a bit excited to see one of my musical idols in a proper venue for the first time.<br />
<br />
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<br />
...But first, the support act. No big name: Chris Simmons from Brighton (who I suspect no one, including me, had heard of) walked on stage with his guitar to a smattering of applause, plugged it in, and just got on with it. With a limited collection of his own songs to choose from he managed to fill his half hour with two Squeeze covers including a superb version of Up The Junction. At one point he asked us, 'as you are so quiet, do you mind if I unplug my guitar?' and he did, playing completely acoustically. It was mesmerising. I have absolute admiration for anyone in this business who can get up on a stage with a voice and just sing. There is nowhere to hide and he didn't have to. Definitely one to watch for the future and hopefully this (short) run of support gigs will bring him an audience...<br />
<br />
This year Suzanne Vega has, in the words of my fellow gig-goer JC, 'got her mojo back'. The release of her eighth studio album: Tales From The Realm Of The Queen Of Pentacles, after nearly five years re-working her own back-catalogue for the 'Close-Up' series, is her first new music for seven years and she is clearly re-energised and motivated. This was a no-frills performance with no big screens, light shows or huge orchestra. Backed by the brilliant Gerry Leonard (aka Spooky Ghost) on guitar (he also produced 'Pentacles') and Doug Yowell on drums, the three musicians more than filled the stage with Vega's words and music.<br />
<br />
Naturally songs from Tales From The Realm Of The Queen Of Pentacles featured heavily in a set that blended old and new. The intro was the trio of theatrical Fat Man And Dancing Girl, anthemic Marlene On The Wall (with added top hat) and the sultry Caramel before three new songs: the wonderful Fool's Compliant, mysterious Crack In The Wall and enlightening Jacob And The Angel. By this stage, Vega was chatting to the audience in such a charming, funny and engaging way, trying to explain the new songs and their significance. The beautiful Small Blue Thing, gorgeous Gypsy and dramatic poetry of The Queen And The Soldier followed by the endlessly playful Don't Cork What You Can't Contain, spiritual Laying On Of Hands / Stoic 2 and moody Left Of Center formed the delicious centre-piece. To bring the main set to a close, latest crowd-pleaser I Never Wear White lived up to the billing - a definite highlight, lead to the reflective Some Journey, heart-breaking Luka and then to finish a full-on 'DNA'-esque version of Tom's Diner. I'm a huge fan of the original vocal-only take but this worked better on stage.<br />
<br />
We didn't have to wait too long for the inevitable encore. Vega explained that they were off to Lisbon for the next leg of the European tour and songs featuring Portuguese Women are the order of the day... so she re-started with a modern update of the elegant Iron Bound / Fancy Poultry before asking us what we wanted. Now was my chance...do or die. I yelled 'Blood Makes Noise' (yes me, really), a song I was surprised didn't make the main set and I was determined to hear it. Turning to Leonard who was already setting up his effects pedals, 'shall we do it?'. And they did, a brilliant 'solo-vocal' version complete with fuzzy guitars and electronics, capturing the spirit of the original. Vega said afterwards that she didn't expect that 'the people of Poole' would be up for that. I'm not from Poole. Then, someone else asked for the melodic In Liverpool, so thankfully I didn't have to - another wonderful highlight, before Rosemary brought the night to a close.<br />
<br />
Suzanne Vega did not disappoint. The lack of anything from Songs In Red And Gray and Beauty & Crime was a noticeable omission: Bound, Unbound, Penitent, If I Were A Weapon etc... and World Before Columbus would have been my second shout of the night, but with a wealth of songs to choose from it was not possible to fit in everything. But clearly Vega still has the love for a performance and the feeling is mutual. A magical evening that could have gone on forever, listening to one of
the best voices in the business, performing at brilliant as ever.<br />
<div style="text-align: right;">
-- CS </div>
<br />Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-36506066571990831252014-06-29T14:26:00.000+01:002014-07-04T15:13:38.160+01:00Music Chart - June 2014A quiet month but some big hitters return with new albums. Jack White backs up a couple of great preview songs with the mixed Lazaretto which is far too adventurous and unnecessarily ambitious for its own good. Granted, White is a wonderful showman and songwriter, with ideas brimming and overflowing but sometimes keeping things simple is the best policy. Kasabian, on the other hand, have a more straightforward album with 48:13; ignoring the grungy disco of lead single 'eez-eh', there are moments of brilliance here as the recent Glastonbury headliners provide their unique blend of scuzzy electro-rock. And to complete this month's important trilogy, Bob Mould is back with Beauty & Ruin, not as polished as the wonderful Silver Age but guaranteed to please fans of the legendary songwriter. Elsewhere, X-Factor loser Janet Devlin proves there is life after reality TV: Running With Scissors is a gorgeous album of wide-eyed musings, lost loves and storytelling (also it includes a rather nice cover of The Cure's Friday I'm In Love). The Pains of Being Pure At Heart continue the delicious jangly guitar-pop on Days Of Abandon and Lana Del Rey flirts with controversy with Ultraviolence. The mighty Corrosion Of Conformity bring the noise to IX and finally the overrated Sharon Van Etten asks the non-question Are We There.<br />
<br />
...but as yet, nothing to knock The War On Drugs from the number one...<br />
<br />
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<ol>
<li>Lost In The Dream by The War On Drugs </li>
<li>Augustines by Augustines </li>
<li>Rave Tapes by Mogwai</li>
<li>Morning Phase by Beck </li>
<li>Gach Sgeul (Every Story) by Julie Fowlis </li>
<li>The Gloaming by The Gloaming</li>
<li>Beauty & Ruin by Bob Mould </li>
<li>Smoke Fairies by Smoke Fairies </li>
<li>Tales From The Realm Of The Queen Of Pentacles by Suzanne Vega</li>
<li>You Chose These Woes by Model Village</li>
<li>Beautiful Desolation by Paul Thomas Saunders</li>
<li>48:13 by Kasabian </li>
<li>Indie Cindy by The Pixies </li>
<li>Running With Scissors by Janet Devlin </li>
<li>The Cautionary Tales Of Mark Oliver Everett by Eels</li>
<li>Upside Down Mountain by Conor Oberst </li>
<li>Teeth Dreams by The Hold Steady </li>
<li>Burn Your Fire For No Witness by Angel Olsen</li>
<li>The Take Off And Landing of Everything by Elbow</li>
<li>Lazaretto by Jack White </li>
<li>Word Of Mouth by Seth Lakeman </li>
<li>So Long, See You Tomorrow by Bombay Bicycle Club </li>
<li>IX by Corrosion Of Conformity </li>
<li>Into The Lime by New Mendicants </li>
<li>9 Dead Alive by Rodrigo y Gabriela </li>
<li>A Letter Home By Neil Young</li>
<li>In The Silence by Asgeir</li>
<li>Held In Splendor by Quilt </li>
<li>Ultraviolence by Lana Del Rey </li>
<li>Salad Days by Mac Demarco </li>
<li>Blood Red Shoes by Blood Red Shoes </li>
<li>Supernova by Ray LaMontagne </li>
<li>Echoes by Emily Smith </li>
<li>Everyday Robots by Damon Albarn </li>
<li>Atlas by Real Estate </li>
<li>Croz by David Crosby</li>
<li>Benji by Sun Kil Moon </li>
<li>St. Vincent by St. Vincent </li>
<li>Cursing The Sea by September Girls</li>
<li>Wildewoman by Lucius</li>
<li>Luminous by The Horrors </li>
<li>High Hopes by Bruce Springsteen</li>
<li>Songs About This And That by Karin Krog & John Surman </li>
<li>Waking Lines by Patterns</li>
<li>Unrepentant Geraldines by Tori Amos </li>
<li>The Future's Void by EMA </li>
<li>Here And Nowhere Else by Cloud Nothings </li>
<li>Wig Out At Jagbags by Stephen Malkmus & The Jicks</li>
<li>Total Strife Forever by East India Youth</li>
<li>Too Much Information by Maximo Park </li>
<li>Warpaint by Warpaint</li>
<li>Are We There by Sharon Van Etten </li>
<li>To Be Kind by Swans </li>
<li>Eagulls by Eagulls </li>
<li>Education, Education, Education & War by Kaiser Chiefs </li>
<li>The Crystal Method by The Crystal Method</li>
<li>Kid Face by Samantha Crain</li>
<li>None The Wiser by The Rifles </li>
<li>Oh My Sexy Lord by Marijuana Deathsquads</li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com2tag:blogger.com,1999:blog-8741031976173682771.post-30702557590366742542014-05-31T13:52:00.000+01:002014-05-31T13:52:14.971+01:00Music Chart - May 2014More of an interesting month for music than a great one... the long awaited solo effort from Damon Albarn, Everyday Robots is as prosaic as it is charming - given his recent collaborative work and adventures into soundtracks, this is the sound of the former Blur front-man growing old gracefully. In contrast, the guitar duo Rodrigo y Gabriela return with 9 Dead Alive, another tribute album, with each track inspired by someone; a more varied collection than 2009's 11:11. This month also brings back The Pixies, a truly extraordinary and inventive band show their class on Indie Cindy. And the other album of note this month is A Letter Home by Neil Young, taking retrospective to the extreme - a covers album (avoiding the obvious, mostly) recorded, with the help of Jack White, on vintage equipment. This works, up to a point, and the under-production is engaging at first but slowly grates. If nothing else, this shows Young is still full of ideas, and music, and long may it continue.<br />
<br />
Elsewhere, new material from Swans (To Be Kind) is challenging, Conor Oberst doesn't quite bring back the majesty of Bright Eyes (Upside Down Mountain), Ray LaMontagne (Supernova) goes 60s smooth and Tori Amos (Unrepentant Geraldines) twists and turns her way through a strange, but ultimately underwhelming, landscape.<br />
<br />
(...a late addition, thanks to the recent gig supporting The War On Drugs at The Koko, Quilt's Held In Splendor makes it onto the Underwurld chart...Speaking of The War On Drugs, Lost In The Dream still tops the list...)<br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKdY6oehff3H5m5Nm5lwufJuDdFj4lcKBI_BeKYb7UCUAbH55hlgwfJ3-7zqmTkOroGE9swnOP7sIdHL3b_Lxsxj3fifzUQOBV6tc3K9_m77Y251PVL_IAGKDdEVY5sFAgAimOlACvwcpK/s1600/thewarondrugs_dream.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKdY6oehff3H5m5Nm5lwufJuDdFj4lcKBI_BeKYb7UCUAbH55hlgwfJ3-7zqmTkOroGE9swnOP7sIdHL3b_Lxsxj3fifzUQOBV6tc3K9_m77Y251PVL_IAGKDdEVY5sFAgAimOlACvwcpK/s1600/thewarondrugs_dream.jpg" height="320" width="320" /></a></div>
<ol>
<li>Lost In The Dream by The War On Drugs </li>
<li>Augustines by Augustines </li>
<li>Rave Tapes by Mogwai</li>
<li>Morning Phase by Beck </li>
<li>Gach Sgeul (Every Story) by Julie Fowlis </li>
<li>The Gloaming by The Gloaming</li>
<li>Smoke Fairies by Smoke Fairies </li>
<li>Tales From The Realm Of The Queen Of Pentacles by Suzanne Vega</li>
<li>You Chose These Woes by Model Village</li>
<li>Beautiful Desolation by Paul Thomas Saunders </li>
<li>Indie Cindy by The Pixies </li>
<li>The Cautionary Tales Of Mark Oliver Everett by Eels</li>
<li>Upside Down Mountain by Conor Oberst </li>
<li>Teeth Dreams by The Hold Steady </li>
<li>Burn Your Fire For No Witness by Angel Olsen</li>
<li>The Take Off And Landing of Everything by Elbow</li>
<li>Word Of Mouth by Seth Lakeman </li>
<li>So Long, See You Tomorrow by Bombay Bicycle Club </li>
<li>Into The Lime by New Mendicants </li>
<li>9 Dead Alive by Rodrigo y Gabriela </li>
<li>A Letter Home By Neil Young</li>
<li>In The Silence by Asgeir</li>
<li>Held n Splendor by Quilt </li>
<li>Salad Days by Mac Demarco </li>
<li>Blood Red Shoes by Blood Red Shoes </li>
<li>Supernova by Ray LaMontagne </li>
<li>The Future's Void by EMA </li>
<li>Echoes by Emily Smith </li>
<li>Everyday Robots by Damon Albarn </li>
<li>Atlas by Real Estate </li>
<li>Croz by David Crosby</li>
<li>Benji by Sun Kil Moon </li>
<li>St. Vincent by St. Vincent </li>
<li>Cursing The Sea by September Girls</li>
<li>Wildewoman by Lucius</li>
<li>Luminous by The Horrors </li>
<li>High Hopes by Bruce Springsteen</li>
<li>Songs About This And That by Karin Krog & John Surman </li>
<li>Waking Lines by Patterns</li>
<li>Unrepentant Geraldines by Tori Amos </li>
<li>Here And Nowhere Else by Cloud Nothings </li>
<li>Wig Out At Jagbags by Stephen Malkmus & The Jicks</li>
<li>Total Strife Forever by East India Youth</li>
<li>Too Much Information by Maximo Park </li>
<li>Warpaint by Warpaint</li>
<li>To Be Kind by Swans </li>
<li>Eagulls by Eagulls </li>
<li>Education, Education, Education & War by Kaiser Chiefs </li>
<li>The Crystal Method by The Crystal Method</li>
<li>Kid Face by Samantha Crain</li>
<li>None The Wiser by The Rifles </li>
<li>Oh My Sexy Lord by Marijuana Deathsquads</li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-89722089457199721592014-05-29T19:45:00.000+01:002014-08-16T09:30:17.559+01:00The War On Drugs at The Koko (27/05/2014)<div class="separator" style="clear: both; text-align: center;">
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We headed for London on a rainy Tuesday night in May to the Koko, just a brief walk from Mornington Crescent tube station, for what promised to be one of the highlights of the year: The War On Drugs (Lost In The Dream tour). The venue, formally a theatre, cinema and BBC studio, hosted The Goons and Monty Python’s Flying Circus back in the day before it became the Camden Palace in the 80s, to be renovated in 2004 into the magnificent music hall it is today. So, after queuing in the drizzle and failing to recognise members of support band Quilt heading for the VIP entrance, we hurried inside…<br />
<br />Finding a suitable vantage point on top left walkway in front of the bar, it wasn’t long before Quilt walked on stage for one of their first European (support) gigs, a (now) four-piece band from Boston who have recently released their second album Held In Splendour. The slight (and very cute) Anna Fox Rochinski and imposing (handsome) Shane Butler, banishing guitars and microphones equally, is a delicious combination and the band made the most of their short support slot. Songs from Held In Splendour featured heavily including the brilliant Arctic Shark and Tie Up The Tides, and live the band added a vibrancy and energy lacking on the record.<br />
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[Photo credit: <a href="http://threebeams.co.uk/2014/06/02/live-the-war-on-drugs-koko-camden-may-27th-2014/">ThreeBeams</a>]<br /><br />During the break, the usual sound checks took place and we had our first glimpse of the mighty Adam Granduciel with his unkempt hair, sorting out his guitars and peddles. And then the band took to the stage. Granduciel has recently described The War On Drugs as a ‘one man band’ which is a huge disservice to David Hartley, Robbie Bennett and Charlie Hall. Given the intimate song-writing of latest album Lost In The Dream, we all know what he means but this was a massive performance by the quartet. The set was a curious mix of previous masterpiece Slave Ambient and most of Lost In The Dream, with new arrangements of the former framing the newer songs. It (mostly) worked, in that Slave Ambient works beautifully as a single end-to-end album; ebbing and flowing as it glides between familiar sounds and themes, constantly revisiting itself. So, within the more stand-alone Lost In The Dream tracks, songs like Brothers, Some To The City and Baby Missiles added a strange, yet wonderful, glue. <br />
<br />Granduciel’s guitar work throughout was especially sublime, as was Charlie Hall’s ferocious drumming. The big highlights were Burning, Under The Pressure (without the unnecessary prolonged outro of the original) and the perfect Eyes Top The Wind. The encore provided the night’s big surprise: starting with a cover of John Lennon’s Mind Games, which was quite amazing. The depth of songs from two great albums made this one of the best sets of any gig I’ve experienced. A great night at an iconic venue.<br />
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-- CS (with JC)</div>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-80779231148460809412014-04-30T19:11:00.000+01:002014-05-04T16:12:20.106+01:00Music Chart - April 2014New albums this month from loser/hipster Mac Demarco - back with the endearing Salad Days, the sublime ethereal jangly-guitar pop of Atlas from Real Estate, and Brooklyn's ferocious Lucius and their album Wildewoman. This month we can also hear the return of Kaiser Chiefs and Education, Education, Education & War - an album which has its moments, both good and bad. In complete contrast EMA fuses passion and technology into an eclectic mix of rough and smooth on The Future's Void, Paul Thomas Saunders satisfies with Beautiful Desolation and Smoke Fairies follow-up their difficult second album with a much more accomplished set of beautiful vocals and solid songwriting. Last but not least, Eels release yet another album of self-deprecation, heartbreak and mournful songs with The Cautionary Tales Of Mark Oliver Everett.<br />
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The War On Drugs hold the top spot...<br />
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<ol>
<li>Lost In The Dream by The War On Drugs </li>
<li>Augustines by Augustines </li>
<li>Rave Tapes by Mogwai</li>
<li>Morning Phase by Beck </li>
<li>Gach Sgeul (Every Story) by Julie Fowlis </li>
<li>The Gloaming by The Gloaming</li>
<li>Smoke Fairies by Smoke Fairies </li>
<li>Tales From The Realm Of The Queen Of Pentacles by Suzanne Vega</li>
<li>You Chose These Woes by Model Village</li>
<li>Beautiful Desolation by Paul Thomas Saunders </li>
<li>The Cautionary Tales Of Mark Oliver Everett by Eels</li>
<li>Teeth Dreams by The Hold Steady </li>
<li>Burn Your Fire For No Witness by Angel Olsen</li>
<li>The Take Off And Landing of Everything by Elbow</li>
<li>Word Of Mouth by Seth Lakeman </li>
<li>So Long, See You Tomorrow by Bombay Bicycle Club</li>
<li>Into The Lime by New Mendicants </li>
<li>In The Silence by Asgeir</li>
<li>Salad Days by Mac Demarco </li>
<li>Blood Red Shoes by Blood Red Shoes </li>
<li>The Future's Void by EMA </li>
<li>Echoes by Emily Smith </li>
<li>Atlas by Real Estate </li>
<li>Croz by David Crosby</li>
<li>Benji by Sun Kil Moon </li>
<li>St. Vincent by St. Vincent </li>
<li>Cursing The Sea by September Girls</li>
<li>Wildewoman by Lucius </li>
<li>High Hopes by Bruce Springsteen</li>
<li>Songs About This And That by Karin Krog & John Surman </li>
<li>Waking Lines by Patterns</li>
<li>Here And Nowhere Else by Cloud Nothings </li>
<li>Wig Out At Jagbags by Stephen Malkmus & The Jicks</li>
<li>Total Strife Forever by East India Youth</li>
<li>Too Much Information by Maximo Park </li>
<li>Warpaint by Warpaint</li>
<li>Eagulls by Eagulls </li>
<li>Education, Education, Education & War by Kaiser Chiefs </li>
<li>The Crystal Method by The Crystal Method</li>
<li>Kid Face by Samantha Crain</li>
<li>None The Wiser by The Rifles </li>
<li>Oh My Sexy Lord by Marijuana Deathsquads</li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-71263495921023740302014-04-18T14:34:00.000+01:002014-05-04T16:12:30.594+01:00The Vinyl Frontier - The Cure, The Jesus And Mary Chain, Bruce Springsteen, Kirsty MacColl, Bob Dylan<div class="separator" style="clear: both; text-align: center;">
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The USR music fair at the Rivermead in Reading (UK) on Friday 18th April (Good Friday) was too good to miss this year... one of six biggest UK one-day events and a huge selection of records on offer.<br />
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First up, an album I've been waiting for... the limited edition gatefold of Automatic by The Jesus And Mary Chain. By no means the band's finest work, this is the transition between the feedback-strewn gloomy shoegaze of Darklands (and the mighty Psycho Candy début before) and the brilliant Honey's Dead. Fans loved this album, while the critics hated it (Q Magazine struggled to award 2 stars) and I remember listening my cassette copy over and over until it fell apart. And it still sounds great on vinyl today, especially Blues From A Gun and UV Ray.<br />
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I've always been a big fan of The Cure but never a big collector...until recently. I keep seeing copies of Kiss Me, Kiss Me, Kiss Me but never The Head On The Door - an album I've been seeking for ages. Boasting one of the band's most creative collection of songs, and the brilliant singles Close To Me and In Between Days, for me this has always been the prelude to their finest work, Disintegration. On side B, A Night Like This and closer Sinking are both the sound of a band coming of age.<br />
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I'm always on the lookout for records by Bruce Springsteen and Nebraska was high on my list. A truly challenging record of sparse, dark songwriting - a stopgap between The River and Born In The USA and an album that may have never existed. Springsteen originally recorded it with the E Street Band and then decided to release the 'demo' version. The result is haunting and desolate with piercing vocals and harmonica - Springsteen's folk album, made better by the occasional crackle and blip on the record. The production and songwriting are both superb.<br />
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A rose between two thorns, Kirsty MacColl's Kite is still one of my favourite albums of the eighties and a perfect example of an artist doing their own thing in time when so many musicians weren't. This is an eclectic mix of sounds and styles including the cover Days and turns from Johnny Marr and David Gilmour, and Steve Lillywhite on production. This is filled with witty observations, sharp and poignant lyrics, all brilliantly delivered by an artist who left us well before her time.<br />
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And last, but not least...the find of the day. For as long as I can remember I have been trying to find a decent copy of Blood On The Tracks. So when I spotted a 'VG' copy for a modest price, I had to investigate. Easily the best thing Bob Dylan has ever made; an album with so much poetry, poise and power doesn't come along too often. From opener Tangled Up In Blue to the vitriolic Idiot Wind, to Lily, Rosemary And The Jack Of Hearts and the mighty Shelter From The Storm, this is now one of the best in my collection. And for a record that is nearly as old as I am, it sounds wonderful.<br />
<br />Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-684363197020569792014-03-29T16:28:00.000+00:002014-03-29T16:28:21.875+00:00Music Chart - March 2014Another great month yields three new albums by three great artists: Julie Fowlis weaves her vocal magic and mystery on Gach Sgeul (Every Story), Elbow continue to charm and captivate with The Take Off And Landing Of Everything, and The War On Drugs return with Lost In The Dream - a wonderful follow-up to Slave Ambient (and another early contender for album of the year). Elsewhere St. Vincent pushes the aural boundaries, Blood Red Shoes bring the trash-noise and The Hold Steady prove they are still as intense and focused as ever.<br />
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<ol>
<li>Lost In The Dream by The War On Drugs </li>
<li>Augustines by Augustines </li>
<li>Rave Tapes by Mogwai</li>
<li>Morning Phase by Beck </li>
<li>Gach Sgeul (Every Story) by Julie Fowlis </li>
<li>The Gloaming by The Gloaming</li>
<li>Tales From The Realm Of The Queen Of Pentacles by Suzanne Vega</li>
<li>You Chose These Woes by Model Village</li>
<li>Teeth Dreams by The Hold Steady </li>
<li>Burn Your Fire For No Witness by Angel Olsen</li>
<li>The Take Off And Landing of Everything </li>
<li>Word Of Mouth by Seth Lakeman </li>
<li>So Long, See You Tomorrow by Bombay Bicycle Club</li>
<li>Into The Lime by New Mendicants </li>
<li>In The Silence by Asgeir</li>
<li>Blood Red Shoes by Blood Red Shoes </li>
<li>Echoes by Emily Smith </li>
<li>Croz by David Crosby</li>
<li>Benji by Sun Kil Moon </li>
<li>St. Vincent by St. Vincent </li>
<li>Cursing The Sea by September Girls</li>
<li>High Hopes by Bruce Springsteen</li>
<li>Songs About This And That by Karin Krog & John Surman </li>
<li>Waking Lines by Patterns </li>
<li>Wig Out At Jagbags by Stephen Malkmus & The Jicks</li>
<li>Total Strife Forever by East India Youth</li>
<li>Too Much Information by Maximo Park </li>
<li>Warpaint by Warpaint</li>
<li>Eagulls by Eagulls </li>
<li>The Crystal Method by The Crystal Method</li>
<li>Kid Face by Samantha Crain</li>
<li>None The Wiser by The Rifles </li>
<li>Oh My Sexy Lord by Marijuana Deathsquads</li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-75978933746446063192014-03-27T19:52:00.000+00:002014-03-29T19:53:30.610+00:00The War On Drugs - Lost In The Dream (Album Review 2014)<div class="separator" style="clear: both; text-align: center;">
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The War On Drugs has been, and will always be, a band of one... Adam Granduciel has taken his labour of love further into his own mind on third album Lost In The Dream, to explore his conciousness, his life and his emotional state. It was always going to be tough to go one better than previous album Slave Ambient, a swirling vortex of prog-rock, subtle floating soundscapes and brilliant guitar-led pop songs - all washed with Granduciel's Dylan-like vocals. So, given the inward, self-indulgent nature of The War On Drugs, Lost In The Dream, a new album of material written mainly while touring, undergoing many rewrites and reworks, was never going to be as good.<br />
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But it is. Lost In The Dream is a different album than Slave Ambient, subtly different in its approach and delivery. While the previous album is big, bold and wide-eyed, Lost In The Dream is closed, introverted and personal. From opener Under The Pressure, it is clear that Granduciel wants to share his pain and anxiety of being in the spotlight and living up to expectations. At nearly nine minutes, this is the longest song on the album; it ebbs and flows with lifts and falls before the only truly weak point: instead of dropping into a quiet, ambient lull for a minute before returning with shining guitars and pounding drums for the big finish, absolutely nothing happens. A deliberate ironic statement about not following predictable convention? Possibly...but the lack of inspiration right from the start is a real surprise.<br />
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Red Eyes provides the early 'pop' song, blending ethereal synths and guitars with racing drums. The effect is not too far from Razorlight (back in their prime), Granduciel punchy and with purpose - even throwing in an over-exuberant woop before the guitars rain-down. In contrast, Suffering is light yet melancholy, slow-paced and beautifully sublime. The gorgeous piano arrangement in the second half contrasts the oddly-random guitar work. Then the album takes a more ambitious turn with the beguiling An Ocean In Between The Waves, which could be the Dire Straits song that never was; Granduciel more Knofler than Dylan while exquisite guitars and thumping drums lead to a frantic peppering of vocals in the second half.<br />
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Continuing the lighter feel of Lost In The Dream, Disappearing provides a superb centre-piece - shining like a magnificent 80s soft-rock influenced interlude between what has come and the second act. This starts with Eyes To The Wind, one of the best songs Granduciel has written - his vocals are exposed and the arrangement unwinds with a supreme elegance; the vocal delivery a nod toward former band-mate Kurt Vile. All this is blended with more guitars, drums and the most wonderful piano. What makes this so good is that Granduciel is not hiding behind a massive stadium-filling sound. This leads to the album's only return to a trick from its predecessor: the three-minutes of The Haunting Idle gives a brief Floyd-esque reprise, but without the original song, before the final trilogy...<br />
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...begins with another album highlight and superb pop song, Burning. This feels heavily Springsteen-fuelled with ever-present organ (circa Darkness On The Edge Of Town) and driving drums. And then the title track, with delicious (never-overused) harmonica, brings another moment of class to build like a lost Neil Young classic. Obvious influences aside, this is reinvention and reinterpretation of the tried and tested and not mere copycatting. To close, In Reverse is delivered as the quiet reflection after a turbulent, cathartic, and often painful journey, never overstated and fading delicately into a soft aftermath instead of unleashing the explosives. A perfect end to a near perfect-work. <br />
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Lost In The Dream is a slow-burner...it doesn't grab your attention and sweeps you along for the ride; it draws you in, further into the inner world of Adam Granduciel on each listen. He hasn't done this all on his own of course, and the 'band' play to their strengths throughout and new boy Patrick Berkery is supreme with the sticks. But the songwriting and song-craft is every bit as strong as the new standard we now expect from The War On Drugs and ultimately Adam Granduciel has opened his heart, poured out his soul, and made another brilliant album.<br />
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-- CS</div>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-8183834842267544002014-03-15T10:39:00.002+00:002014-03-15T10:39:28.545+00:00Mogwai - Usher Hall (8th March 2014)<div class="separator" style="clear: both; text-align: center;">
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As part of the centenary celebrations of Edinburgh's magnificent Usher Hall, bringing together contemporary and classical music, and comedy across five nights, I was drawn to the great city to see Mogwai. Not only a Scottish institution and much maligned 'cult' band, Mogwai are in the highest echelons of musical greatness, and the chance to see one of the best bands in the world was too good to pass up.<br />
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So, armed with train tickets, a guest house booking and gig tickets for the upper circle, I ventured north of the border via London for a weekend of culture and music. I took the opportunity to see Edinburgh's sights - the Castle, Palace, Royal Mile, Cathedral, Arthur's Seat and National Monument, the pubs and restaurants, and the hoards of French descended on the capital for the 6 Nations rugby. But the highlight was Saturday Night at Usher Hall, at 7pm. Waiting for the doors to open, to be escorted up the stairs and through the corridors and bars to the concert auditorium with its rows of seats looking down on the stage and stalls - the excitement quickened.<br />
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Mogwai's support for the night were two other Scottish bands: Remember Remember and The Pastels. Both did much with the limited time they had - two half hour sets flew by. It would be easy to describe Remember Remember as 'Mogwai-lite' but they bring their own personality to their music - delicate xylophone, keyboards and interesting electronic flourishes. The Pastels added vocals and a more organic depth, but kicked off with Slow Summits, a blistering 6-minute instrumental, before more typical songs from the full-on Baby Honey to the delicate Summer Rain. Both bands seemed to enjoy and relish the experience.<br />
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But it was Mogwai's night. A stage packed with amps, keyboards, a huge drum-kit and guitar stands awaited Stuart, Dominic, Martin, John and Barry, complete with 'Rave Tapes' themed lighting rig and graphics looming above. The set for the night wasn't entirely dominated by the latest album - no bad thing but there was barely room for the best of the rest - and the Mogwai back catalogue is extensive and impressive in any live environment. This was the full set:<br />
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<span style="font-size: small;"><b>Heard About You Last Night</b></span><br />
<span style="font-size: small;"><b>Rano Pano</b></span><br />
<span style="font-size: small;"><b>Helicon 1</b></span><br />
<span style="font-size: small;"><b>Take Me Somewhere Nice</b></span><br />
<span style="font-size: small;"><b>Master Card</b></span><br />
<span style="font-size: small;"><b>I'm Jim Morrison, I'm Dead</b></span><br />
<span style="font-size: small;"><b>Deesh</b></span><br />
<span style="font-size: small;"><b>Hunted By A Freak</b></span><br />
<span style="font-size: small;"><b>Mogwai Fear Satan</b></span><br />
<span style="font-size: small;"><b>How To Be A Werewolf</b></span><br />
<span style="font-size: small;"><b>Remurdered</b></span><br />
<span style="font-size: small;"><b>We're No Here</b></span><br />
<span style="font-size: small;">---</span><br />
<span style="font-size: small;"><b>The Lord Is Out Of Control</b></span><br />
<span style="font-size: small;"><b>Ithica 27/9</b></span><br />
<span style="font-size: small;"><b>Batcat</b></span><br />
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The best of the set was the trio of Hunted By A Freak, the epic Mogwai Fear Satan (complete with fantastic explosive reboot) and the swirling guitars of How To Be A Werewolf. The mighty We're No Here completed the main set before a subdued encore climaxed with the awesome ferocious noise of Batcat. Within the venue, the sound slicing through the crowd and echoing from the rafters, reflected back into the stalls, the immense force of guitars and drums were amplified beyond belief. I could feel the music pounding in my chest as much as in my ears, even from my lofted vantage point (a brilliant view down on the stage). The loud became louder. The delicate melodies were somewhat lost in the noise at times but even the set's weaker songs were given a new dimension - most notably Master Card had a much needed lift, and the new songs sounded brilliant live. It would have great to hear more from The Hawk Is Howling...and in a set designed to showcase the new material (obviously), there was no Friend Of The Night, Auto Rock, You Don't Know Jesus or R U Still In 2 It. They were never going to create a set to please everyone.<br />
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So my first experience of Mogwai live was a unique and overwhelming experience. As we left the Usher Hall, still shaking from the acoustic-battering (both the crowd and the building), I overheard someone say they had seen Mogwai live many times but that was one of the loudest. They set out to do the venue and their kin proud, and they really did bring the noise.</div>
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-- CS </div>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-27887357974712561802014-02-27T19:02:00.000+00:002014-03-01T16:03:52.255+00:00Album Chart - February 2014New albums this month from (among others) the stadium-bound Augustines, with their brilliant eponymous follow-up to Rise Ye Sunken Ships, the ever-wonderful Suzanne Vega - back after a reworking sabbatical with new material Tales From The Realm Of The Queen Of Pentacles, and the beguiling Beck who has released his most serene, sublime work of his career: Morning Phase. Elsewhere, Mary Chapin Carpenter is cinematic, Seth Lakeman is genre-redefining, and Sun Kil Moon is autobiographically challenging.<br />
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<ol>
<li>Augustines by Augustines </li>
<li>Rave Tapes by Mogwai</li>
<li>Morning Phase by Beck </li>
<li>The Gloaming by The Gloaming</li>
<li>Tales From The Realm Of The Queen Of Pentacles by Suzanne Vega</li>
<li>You Chose These Woes by Model Village</li>
<li>Burn Your Fire For No Witness by Angel Olsen </li>
<li>Word Of Mouth by Seth Lakeman </li>
<li>So Long, See You Tomorrow by Bombay Bicycle Club</li>
<li>Into The Lime by New Mendicants </li>
<li>In The Silence by Asgeir</li>
<li>Croz by David Crosby</li>
<li>Benji by Sun Kil Moon </li>
<li>Cursing The Sea by September Girls</li>
<li>High Hopes by Bruce Springsteen</li>
<li>Songs About This And That by Karin Krog & John Surman </li>
<li>Waking Lines by Patterns </li>
<li>Wig Out At Jagbags by Stephen Malkmus & The Jicks</li>
<li>Total Strife Forever by East India Youth</li>
<li>Too Much Information by Maximo Park </li>
<li>Warpaint by Warpaint</li>
<li>The Crystal Method by The Crystal Method</li>
<li>Kid Face by Samantha Crain</li>
<li>None The Wiser by The Rifles </li>
<li>Oh My Sexy Lord by Marijuana Deathsquads</li>
</ol>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0tag:blogger.com,1999:blog-8741031976173682771.post-2690107335328297772014-02-15T13:57:00.000+00:002014-03-01T15:46:53.314+00:00Suzanne Vega - Tales From The Realm Of The Queen Of Pentacles (Album review 2014)<div class="separator" style="clear: both; text-align: center;">
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Since 2007's Beauty & Crime, Suzanne Vega has revisited her own back catalogue for the 'Close-up' series - a quartet of albums sub-titled: Love Songs, People & Places, States of Being and Songs of Family. With varied results, these form an interesting and intriguing retrospective (making the 1998 and 2003 'best of' compilations largely redundant), both a celebration for fans and much needed inspiration and reflection for Vega; not to mention income and 'ownership' - to reclaim her prized work from major labels. Now, seven years since her last studio album of new material, Tales From The Realm Of The Queen Of Pentacles brings new life to Vega's music. The title is a reference to the Tarot card representing fertility, or impending motherhood - but also a double-meaning of youthful maturity, artistry and wisdom.<br />
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It would be difficult to suggest that the 'Close-up' work has had no effect on Suzanne Vega's approach to music. On one hand, she could have ignored her past completely and continued the thread started with the deep, painful and beautiful Songs In Red And Gray, but Vega - in collaboration with producer/musician Gerry Leonard - has injected a much needed sense of fun and adventure into her storytelling. The vocal delivery of opener Crack In The Wall may be uneasy and lack the precision of, say, Penitent, but this only forms the first half of the song, as the vibrant guitar-work shines throughout. Lyrically, this is a series of beguiling metaphors while Fool's Compliant is a good a single as Vega has produced, a punchy folk-pop lament filled with jangling guitars and a superb chorus. Some gorgeous backing vocals lift the arrangement further. In contrast, I Never Wear White is pure character, Vega inhabiting a darker soul - 'Black is the truth... of my situation, and for those of my station...' is the Gothic refrain before harsh, edgy guitars kick in. The two are conjoined for the angst-driven finish. <br />
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It is now clear that Tales From The Realm Of The Queen Of Pentacles is a blend of styles and substances... On Portrait of The Knight Of Wands (another Tarot card - this time referencing a man of ideas and invention, and a time of travel and progress), Vega sings delicately of a struggle and strange imagery - 'His mission, a transmission... of technology'. The final minute is an odd juxtaposition of guitars and electronic flourish to fade. Don't Uncork What You Can't Contain takes this approach to another level, with sampling meeting Eastern rhythms for a mythical tale of curiosity and misadventure. This is the most divisive song on the album, mixing different styles and sounds but ultimately failing to deliver - a rare weak drop in form. Likewise, the constant distracting hand-claps underpinning Jacob And The Angel plague an otherwise interesting song, which glides beautifully into an instrumental string-filled finale.<br />
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Further into the second half of Tales From The Realm Of The Queen Of Pentacles, Silver Bridge is wonderful. Simple, measured and perfectly executed. 'All those nights when you can't sleep...your heart and mind is racing. Are you standing on that bridge? Which way are you facing?', sings Vega, with wide-eyed optimism, in one of the album's best moments. Song Of The Stoic take the album into different territory, a tale of abuse, fighting control and ultimate flight, as the music meanders from acoustic folk to epic soundtrack. The second half brings in vocal experimentation, somewhere between Nick Cave & The Bad Seeds and (dare to say) Mumford & Sons. The second part of this story, Laying On Of Hands / Stoic 2 is a funk-folk fuelled tribute to Mother Theresa (yes, really), an odd choice of styles with no hint of irony, before the song accelerates in a completely different direction to a soulful soup of vocals and thumping drums. Sublime. To close, Horizon (There Is A Road) is an elegant finish, even with the unexpected trumpet solo and Vega's vocal excursions (the attempt at falsetto just about works).<br />
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Suzanne Vega, as the title of this album suggests, is both an artist and a provider; a women of knowledge and wisdom. Tales From The Realm Of The Queen Of Pentacles is a rebirth, and has recaptured her youthful energy and enthusiasm via the process of examining her own songs through reinterpretation. She has survived the ruthless music business that made her a star and has come back fighting, smarter... and the result is new, risky, often brilliant, always compelling and above all, relevant. Much of the album is unexpected, yet familiar - not quite a reinvention (the albums 99.9F degrees and Nine Objects Of Desire are a world away from the humble New York poet beginnings) but this is certainly a reinvigoration and a chance to experiment and expand. What emerges is the most challenging and exciting Suzanne Vega album in fifteen years. And possibly one of her best.<br />
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-- CS</div>
Chrishttp://www.blogger.com/profile/11221197150367823772noreply@blogger.com0